Cabin in the Cotton

Dark log cabin, with shed and fenced in yard, shows a family working in the yard. Cotten field shows in the background.
CC0 Public Domain Designation

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  • Dark log cabin, with shed and fenced in yard, shows a family working in the yard. Cotten field shows in the background.


c. 1931–1937


Horace Pippin
American, 1888–1946

About this artwork

The self-taught artist Horace Pippin began painting as a means of therapy, hoping to regain the mobility of his right arm, which had been injured in World War I. He became one of the most celebrated African American artists of the mid-twentieth century, as critics acclaimed the power and authenticity of his “primitive” style. Cabin in the Cotton, the painting that brought him to the attention of the art world, displays Pippin’s vivid, saturated palette and feeling for intense pattern.

Living in Pennsylvania, Pippin may have seen cotton fields during visits to relatives in the South, but it is more likely that he drew on popular culture for inspiration. The way of life in the rural South enjoyed a great vogue in the 1930s, with the premiere of George Gershwin’s opera Porgy and Bess in 1935 and the publication of Margaret Mitchell’s Gone with the Wind in 1936. In particular, the painting’s composition recalls the opening and closing sequences of the 1932 film Cabin in the Cotton, starring Bette Davis. In that year, both Bing Crosby and Cab Calloway made recordings of a song titled “Cabin in the Cotton.”

In 1937 Christian Brinton, an influential art critic, and N. C. Wyeth, the famous illustrator, discovered Cabin in the Cotton in the window of a shoe-repair shop in West Chester, Pennsylvania, and convinced Pippin to begin exhibiting. Newspapers then widely reported that the actor Charles Laughton had purchased the painting, prompting other celebrities and art collectors, as well as museums, to acquire Pippin’s work, which assured his lasting fame.

On View

American Art, Gallery 263


Horace Pippin


Cabin in the Cotton


United States




Oil on cotton mounted on Masonite


Signed lower right: H. PIPPIN


51 × 85 cm (20 × 33 1/2 in.)

Credit Line

Restricted gift in memory of Frances W. Pick from her children Thomas F. Pick and Mary P. Hines

Reference Number


Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email .


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