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Figure Studies (recto and verso)

A work made of pen and brown ink (recto and verso) on cream laid paper.
CC0 Public Domain Designation

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  • A work made of pen and brown ink (recto and verso) on cream laid paper.

Date:

c. 1800

Artist:

Henry Fuseli
Swiss, active in England, 1741-1825

About this artwork

In this double-sided study, Fuseli cleverly traced the same figure on opposite sides of the sheet, as if thinking in three dimensions. His nudes are mostly inspired by ancient sources, as in the hanging satyr with his arms raised (based on a famous Hellenistic sculpture of the flayed Marsyas), but Fuseli activates them with his dynamic line.
Drawing the human figure dominated artistic training in Fuseli’s day. While sketching from a live model was part of conventional practice, copying ancient Roman sculpture was equally important. Fuseli’s exposure to an abundance of ancient sculpture during his years in Rome (1770–78) became a visual catalogue he drew upon throughout his life.

Status

Currently Off View

Department

Prints and Drawings

Artist

Henry Fuseli

Title

Figure Studies (recto and verso)

Place

England (Artist's nationality)

Date

1790–1825

Medium

Pen and brown ink (recto and verso) on cream laid paper

Dimensions

27.4 × 19 cm (10 13/16 × 7 1/2 in.)

Credit Line

Gift of Mr. and Mrs. James W. Alsdorf

Reference Number

1972.1236

IIIF Manifest  The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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https://api.artic.edu/api/v1/artworks/113809/manifest.json

Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

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