Inscribed verso, upper center, in graphite: "No 26"; center, in graphite: "Douai/ par van der Meulen"; lower center, in pen and black ink: "L’inscription ci dessus/ “de Douay 64.” est de la/ main de van der Meulen"; lower center, in pen and black ink: "No 26 and Vue de Douai/ par A. F. van der Meulen/ 1632–1690/ Lh. Eggiman"; lower right, in pen and black ink: "Vente Delteil 30 Mars 1916/No 252/ Vue de Douai par / van der Meulen"
303 × 414 mm
Margaret Day Blake Endowment
Extended information about this artwork
Art Institute of Chicago, The Broad Spectrum: Color on Paper, Past and Present, Sept. 12–Oct. 31, 1999, no cat.
The Art Institute of Chicago, “Rubens, Rembrandt, and Drawing in the Golden Age”, September 28, 2019 - January 5, 2020, pp. 264, 267 (ill.), 305, 333 (ill.), cat. 109, cat. by Victoria Sancho Lobis, et. al.
Sold, Hôtel Drouot, Paris, Mar. 30, 1916, lot 252 to Charles Eggiman (1863–1948) [stamp (Lugt 530), recto, lower left and verso, lower center, in black]. Sold by Bruno de Bayser, Paris, to the Art Institute of Chicago, 1992.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.