Rosewood, maple, tulip poplar, white pine, and mother-of-pearl
Top signed: "J. Cremer"; table frame impressed with the number "1007"
137.2 × 91.4 × 74.6 cm (54 × 36 × 29 3/8 in.)
Purchased with funds provided by Jamee J. and Marshall Field, Mrs. Eric Oldberg, and the Winnetka Associates of the Woman's Board of the Art Institute; Americana, Brooks and Hope B. McCormick, J. Peter McCormick, and Mrs. Frank L. Sulzberger funds; Mary Waller Langhorne Endowment; and through prior acquisitions of Miss Ellen N. LaMotte, Elizabeth R. Vaughan, and the Wirt D. Walker Endowment
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Barbara Laux, “The Furniture Mounts of P.E. Guerin,” Magazine Antiques 161, 5 (May 2002), 140–49, pl. 8.
“Chicago’s Art Institute Lists Recent Acquisitions,” Antiques and The Arts Weekly (July 21, 1995), ill.
Magazine Antiques 142, 4 (Oct. 1992), 412 (ill.).
Donna Sapolin and Carla Breer Howard, “Marquetry,” Traditional Home 6, 5 (Nov. 1994), 126–31 (ill.).
Judith A. Barter et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998), 195–97, no. 89.
Unknown Long Island family, (?); sold to unknown New Jersey dealer, (?); sold to David Petrovsky, New York City; Peter Hill, East Lempster, New Hampshire, by 1993; sold to The Art Institute of Chicago, 1993.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.