About this artwork
Whistler experimented with the expressive potential of lithography, and in the case of his rare lithotints, he applied washes of ink directly to the stone to create veils of pigment. The result is a nuanced representation of light and fog, as is seen in these evocations of life on London’s Thames River. At the time he produced these prints, Whistler was involved in a lawsuit with the famed English art critic John Ruskin, who had argued that the abstraction of one of Whistler’s painted Nocturnes defied the unwritten laws of aesthetics. Despite the notoriety—and bankrupting cost—of the legal case, Whistler persisted in his exploration of abstraction.
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Status
- Currently Off View
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Department
- Prints and Drawings
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Artist
- James McNeill Whistler
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Title
- Early Morning
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Place
- United States (Artist's nationality)
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Date
- Made 1878
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Medium
- Lithotint with scraping, on a prepared half-tint ground, in black on cream wove proofing paper
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Dimensions
- Image: 16.5 × 26.9 cm (6 1/2 × 10 5/8 in.); Sheet: 25.6 × 37.9 cm (10 1/8 × 14 15/16 in.)
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Credit Line
- Gift of the Crown Family in honor of James N. Wood
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Reference Number
- 2004.530
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IIIF Manifest
- https://api.artic.edu/api/v1/artworks/139397/manifest.json
Extended information about this artwork
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.