Marks or inscriptions: Signed on top board of lower case: "Emile'; inscribed, on underside of top board on lower case "Mr. Tr---ing'; printed label on proper left interior drawer bottom reads: "A. ROUX / Cabinetmaker / 481 Broadway / New York"
238 × 204.5 × 58.4 cm (93 3/4 × 80 1/2 × 23 in.)
Purchased with funds provided by the Antiquarian Society
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Judith A. Barter et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Chicago: The Art Institute of Chicago, 1998), 185–188, no. 85.
Judith A. Barter, “True to the Senses and False in Its Essence: Still–Life and Trompe l’Oeil Painting in Victorian America,” Museum Studies 31, 1 (Art Institute of Chicago, 2005) p. 38 (ill.).
Art Institute of Chicago, Art and Appetite: American Painting, Culture, and Cuisine, Nov 10, 2013–Jan 27, 2014; Fort Worth, Amon Carter Museum of American Art, Feb 22–May 18, 2014, cat. 86 (Chicago only).
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.