About this artwork
Cocteau is best known for his work as a writer and film director. He received his earliest notoriety for the 1917 ballet, Parade, that he produced for Diaghilev, with choreography by Leonide Massine, sets by Pablo Picasso, and music by Erik Satie. It was for this work that Guillaume Apollinaire, writing critically, coined the prophetic term “surreal.” Cocteau saw himself as the invisible man who made the invisible world visible. Nightmare is clearly an image drawn from the subconscious, a condition that was exaggerated by Cocteau’s addiction to opium, a drug he began using to abate his depression after the death in 1923 of his protege, the young novelist Raymond Radiguet. In Nightmare the dismembered hand and its exaggerated size bespeak the effect of opium on a keen and alert intellect in agony. The artist described these violently expressive drawings as “screams of suffering in slow motion.”
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Status
- Currently Off View
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Department
- Prints and Drawings
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Artist
- Jean Cocteau
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Title
- Nightmare (Cauchemar)
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Place
- France (Artist's nationality)
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Date
- 1919–1929
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Medium
- Graphite with smudging on ivory wove paper
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Dimensions
- 23.7 × 26.9 cm (9 3/8 × 10 5/8 in.)
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Credit Line
- Frank B. Hubachek and Mary Reynolds Funds; Frank B. Hubachek Endowment
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Reference Number
- 1996.4
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Copyright
- © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris
Extended information about this artwork
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