About this artwork
In the 17th century, seashells became popular collectible objects because they were considered rare and exotic. They also became common subjects for still-life paintings known as Vanitas, which symbolically represent the transience of life. The etchings of both Wenceslaus Hollar and Rembrandt van Rijn could represent the simultaneous beauty and fragility of existence. While still lifes in general are exceedingly rare in Rembrandt’s work, Hollar’s etching comes from a series of seashells, consisting of 38 plates. Rembrandt’s shell (1938.1805) could have been inspired by Hollar’s work, though Rembrandt’s decision to render the shell in a three-dimensional space represents a marked difference between the two etchings.
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Status
- Currently Off View
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Department
- Prints and Drawings
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Artist
- Wenceslaus Hollar
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Title
- Pink-Mouth Murex (phyllonotus erythrostomus)
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Place
- Bohemia (Artist's nationality)
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Date
- 1640–1649
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Medium
- Etching on ivory laid paper
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Dimensions
- Sheet, trimmed within platemark at right: 9.7 × 13.3 cm (3 7/8 × 5 1/4 in.)
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Credit Line
- Celia and David Hilliard Endowment
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Reference Number
- 1996.609
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IIIF Manifest
- https://api.artic.edu/api/v1/artworks/145833/manifest.json
Extended information about this artwork
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.
