Oil, pasted papers, charcoal, pencil and ink on canvas
54 × 72.4 cm (21 1/4 × 28 1/2 in.)
Bequest of Florene May Schoenborn
Extended information about this artwork
Daniel-Henry Kahnweiler, Juan Gris: sa vie, son oeuvre, ses écrits (Paris: Gallimard, 1946), n.p. (pl. 12, ill.), p. 339, as La chope, 1914.
G. S. Whittet, “Rold, Browse & Delbanco,” Studio 145, 718 (January 1953), p. 22 (ill.), as La chope.
James Thrall Soby, Juan Gris, exh. cat. (New York: Museum of Modern Art, 1958), p. 41 (ill.), as Still Life with Glass of Beer, 1914.
Museum of Modern Art, The School of Paris: Paintings from the Florene May Schoenborn and Samuel A. Marx Collection, exh. cat. (New York: Museum of Modern Art, 1965), p. 38 (ill.), 39, as Still Life with Glass of Beer, 1914.
Juan Antonio Gaya-Nuño, Juan Gris (Barcelona: Ediciones Polígrafa, 1974), pp. 47 (no. 69, ill.), 104, 240, as El vaso de cerveza, 1914.
Douglas Cooper, Juan Gris: catalogue raisonné de l’œuvre peint (Paris: Berggruen, 1977), pp. 132 (cat. 80), 133 (ill.), as La chope (The Glass of Beer), February–April 1914.
Gary Tinterow, Juan Gris [1887-1927], exh. cat. (Madrid: Ministerios de Cultura, 1985), p. 29 (fig. 7), as Jarra de Cerveza, 1914.
London, London Gallery, The Cubist Spirit in Its Time, March 18–May 3, 1947, p. 27 (cat. 35), as La Chope.
New York, Museum of Modern Art, Juan Gris, April 9–June 1, 1958, p. 41 (ill.), as Still Life with Glass of Beer, 1914; traveled to Minneapolis, Institute of Arts, June 24–July 24, 1958; San Francisco, Museum of Art, August 11–September 14, 1958; and Los Angeles County Museum, September 29–October 26, 1958.
New York, Museum of Modern Art, The School of Paris: Paintings from the Florene May Schoenborn and Samuel A. Marx Collection, November 1, 1965–January 2, 1966, p. 38 (ill.), 39, as Still Life with Glass of Beer, 1914; traveled to Chicago, Art Institute, February 11–March 27, 1966; St. Louis, City Art Museum, April 27–June 13, 1966; Mexico City, Museo de Arte Moderno, July 2–August 7, 1966; and San Francisco, Museum of Art, September 2–October 2, 1966.
Galerie Kahnweiler, Paris, by 1917 [this and the following according to Cooper 1977]. Galerie Simon, Paris, after 1920. Pierre Faure, Paris [label on stretcher], after 1920. Galerie Simon, Paris, before 1941. Sir Kenneth Clark (1903–1983), London, by 1946 [Kahnweiler 1946]. Roland, Browse & Delbanco, London [label on stretcher], by 1949. Perls Galleries, New York, by 1949. Florene May Schoenborn (1903–1995) and Samuel A. Marx (1885–1964), Chicago and New York, 1949 [New York 1965, master checklist, copy in curatorial file]; bequeathed by Florene May Schoenborn to the Art Institute, Oct. 31, 1997.
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