Head of a Woman

• Hans Tietze and E. Tietze-Conrat, The Drawings of the Venetian Painters in the 15th and 16th Centuries (New York, 1944), p. 345, no. 2097 (ill.).
• L. Fröhlich-Bume, “Ausstellung der Sammlung Springell bei Colnaghi, London,” Weltkunst XXIX (November 15, 1959), p. 10 (ill.).
• Terisio Pignatti, Veronese, 2 vols. (Venice, 1976), no. A55, 1: 176, 2: fig. 769.
• Harold Joachim, Italian Drawings of the 15th, 16th, and 17th Centuries (Chicago, 1979), p. 28, no. 1E1.
• Richard Cocke, Veronese’s Drawings with a Catalogue Raisonné (New York, 1984), p. 302, no. 130 (ill.).
• Terisio Pignatti and Giandomenico Romanelli, Drawings from Venice: Masterworks from the Museo Correr, Venice (New York, 1985), p. 25, no. 15 (ill.).
• Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings Before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 253-54, no. 329 (ill.).

• London, P.&D. Colnaghi, “Exhibition of Old Master Drawings,” November-December 1936, cat. 64.
• London, Royal Academy, “Drawings by Old Masters,” 1953, cat. 110.
• London, P.&D. Colnaghi, “Drawings by Old Masters from the Collection of Dr. and Mrs. Francis Springell,” October 15-November 11, 1959, cat. 28.
• New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 17-November 30, 1963, n.p., cat. 5 (ill. cover).
• The Art Institute of Chicago, “A Quarter Century of Collecting: Drawings Given to The Art Institute of Chicago 1944-1970 by Margaret Day Blake,” April 28-June 7, 1970, n.p., cat. 4 (ill.).
• Birmingham, Ala., Birmingham Museum of Art, “Veronese and His Studio In North American Collections,” October 1-November 15, 1972, cat. 58, by D. Rosand; traveled to Montgomery, Ala., Montgomery Museum of Fine Arts, December 5-31, 1972.
• Washington, D.C., International Exhibitions Foundation, “Venetian Drawings from American Collections,” September 21, 1974-April 20, 1975, cat. 22, by T. Pignatti; traveled to Fort Worth, Tex., Kimbell Art Museum; and the St. Louis Art Museum.
• The Art Institute of Chicago, “151 Italian Drawings from The Art Institute of Chicago,” 1979-1980, cat. 26, cat. by Harold Joachim and Suzanne Folds McCullagh; traveled to Washington, D.C., National Gallery of Art.
• The Art Institute of Chicago, “Great Drawings from The Art Institute of Chicago: The Harold Joachim Years 1958-1983,” July 24-September 30, 1985, pp. 28-29, cat. 3 (ill.), cat. by Martha Tedeschi.
• Washington, D.C., National Gallery of Art, “Veronese: Painter and Draftsman,” November 13, 1988-February 20, 1989, cat. 60, cat. by W. R. Rearick.
• The Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings Before 1600 in The Art Institute of Chicago,” April 10-July 22, 1997.

Sold by the Squire Gallery to P.&D. Colnaghi and Company, London, May 12, 1936 [correspondence with Florian Härb of Colnaghi of June 8, 2004 in curatorial file]; sold to Sir Thomas D. Barlow (died 1964), London, December 29, 1936 [Härb correspondence mentioned above]; Sir Thomas Barlow, to at least 1944 [Tietze and Tietze-Conrat 1944]. Dr. and Mrs. Francis Springell, by 1953 [London 1953]; sold, Sotheby’s, London, June 28, 1962, lot 21, to Richard Zinser, New York [curatorial notes]; sold to the Art Institute, 1962.

McCullagh & Giles 329