Sketches from “The Gypsies,” “The Spanish Ballet,” and “Lola de Valence” for “L’Autographe au Salon de 1865”

CC0 Public Domain Designation

Prints and Drawings

1865

Édouard Manet
French, 1832–1883

Status: Currently Off View
Department: Prints and Drawings

Artist: Édouard Manet
Title: Sketches from “The Gypsies,” “The Spanish Ballet,” and “Lola de Valence” for “L’Autographe au Salon de 1865”
Place: France (Artist's nationality)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: Made 1865
Medium: Brush and black ink and wash, over graphite, on ivory laid paper, pieced in the lower left
Inscriptions: Signed upper right, in brush and black ink: "Manet /2 Avril 1865"
Dimensions: 18.1 × 12.7 cm (7 3/16 × 5 in.)
Credit Line: Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
Reference Number: 2012.84
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/186110/manifest.json

L’Autographe au salon de 1865, no. 11 (July 8, 1865), p. 87 (ill.).
N. Garstein, “Édouard Manet,” The Art Journal (1884), p. 110 (partially ill.).
D. Carol Thomson, “The Paris Salon of Fifty Years Ago,” The Studio 65, 269 (Aug. 1915), pp. 162, 165 (ill.).
Paul Jamot and Georges Wildenstein, Manet, vol. 1 (Les Beaux Arts, 1932), p. 120, under no. 46, p. 121, under no. 48, and p. 123, under no. 59.
Adolphe Tabarant, Manet et ses œuvres (Gallimard, 1947), p. 51, no. 556.
George Heard Hamilton, Manet and His Critics (Yale University Press, 1954), p. 76.
Alain de Leiris, The Drawings of Édouard Manet (University of California Press, 1969), p. 107, no. 177.
Carl Chiarenza, “Manet’s Use of Photography in the Creation of a Drawing,” Master Drawings 7, 1 (Spring 1969), p. 42.
Jean C. Harris, Édouard Manet, Graphic Works: A Definitive Catalogue Raisonné (Collectors Editions, 1970), p. 126, under no. 43.
Denis Rouart and Daniel Wildenstein, Édouard Manet: Catalogue raisonné (Bibliothèque des Arts, 1975), vol. 1, Peintures, p. 56, under no. 43; p. 64, under nos. 53, 55; vol. 2, Pastels, aquarelles et dessins, pp. 140–41, no. 371 (ill.); p. 166, no. 460; p. 188, no. 532.
Charles F. Stuckey and Juliet Wilson-Bareau, Edouard Manet (1832–1883), exh. cat. (Art Life Ltd., 1986), p. 152, under no. 4.
Juliet Wilson-Bareau, Édouard Manet, Voyage en Espagne (L’Echoppe, 1988), p. 14.
Mario Bois, Manet Tauromachies et Autre Themes Espagnols (Plume, 1994), p. 140 (ill.).
Juliet Wilson-Bareau, “Goya und Manet: Zwei Meisterhafte Malerradierer Zwei Seelenverwandte Geister,” in Die Historische Sammlung Otto Gerstenberg, ed. Juliette Scharf and Janna Strzoda (Hatje Cantz, 2012), vol. 1, p. 154.
Juliette Scharf and Hanna Strzoda (editors), with Janina Dahlmanns, Die Historische Sammlung Otto Gerstenberg (Hatje Cantz, 2012), vol. 2, p. 154, no. 926 (ill.).
“Manet, Cat. 8, Sketches from “The Gypsies,” “The Spanish Ballet,” and “Lola de Valence” for “L’Autographe au Salon de 1865,” in Manet Paintings and Works on Paper at the Art Institute of Chicago (Art Institute of Chicago, 2017), https://publications.artic.edu/manet/reader/manetart/section/140020.

Paris, Galerie Huguette Berès, “Manet: Dessins, aquarelles, eaux-fortes lithographies, correspondance,” 1978, n.p., cat. 10 (ill.), as Le buveur d’eau—Danseurs espagnoles—Lola de Valence.
Art Institute of Chicago, “Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection,” June 3–July 30, 2006, p. 98, cat. 63 (ill.).

Maurice Exsteens (1887–1962), Paris [Scharf and Strzoda, 2012]. Acquired by Heinrich Stahl (1868–1942), Berlin, for Otto Gerstenberg (1848–1935), Berlin, July 1929 [e-mail from Janina Dahlmann, Mar. 23, 2011, in curatorial object file]; probably by descent to his daughter, Margarethe Scharf (1889–1961), Berlin; probably sold to Otto Wertheimer (1896–1973), Paris, 1947 [e-mail from Juliet Wilson-Bareau, Sept. 14, 2011, in curatorial object file]; sold by Otto Wertheimer to Dorothy Braude Edinburg (1921–2014), Brookline, Mass., Feb. 1967 [Dorothy Braude Edinburg collection records in curatorial object file]; given by Dorothy Braude Edinburg to the Art Institute of Chicago, 2012.

Cat. 8 Sketches from “The Gypsies,” “The Spanish Ballet,” and “Lola de Valence” for “L’Autographe au Salon de 1865,” 1865

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