IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Alfred Dittert, Jr., and Fred Plog, Generations in Clay: Pueblo Pottery of the American Southwest, exh. cat. (Flagstaff, AZ: Northland Press in cooperation with American Federation of Arts, 1980), 44, fig. 36.
Flagstaff, AZ, Generations in Clay: Pueblo Pottery of the American Southwest (organized by American Federation of Arts, New York), July 1980–Oct. 1980, cat. fig. 36; Richmond, VA, Museum of Fine Arts, Nov. 18, 1980–Jan. 4, 1981; Madison, WI, Elvehjem Museum of Art [Chazen Museum of Art], University of Wisconsin-Madison, Feb. 8–Mar. 29, 1981; Evanston, IL, Mary and Leigh Block Gallery, Northwestern University, May 13–June 28, 1981; Santa Ana, CA, Bowers Museum, closed Sept. 30, 1981; Midland, MI, Midland Center for the Arts, Nov. 1–29, 1981; Seattle Art Museum, Jan. 21–Mar. 14, 1982; Phoenix, AZ, Heard Museum, May–June 6, 1982.
Marjorie and Charles Benton (1931–2015), Evanston, IL, from 1970s [according to note written by R. Townsend in curatorial object file; published as Marjorie and Charles Benton Collection in Dittert and Plog 1980, 44, fig. 36; on loan to the AIC from Nov. 1, 2010]; given to the Art Institute of Chicago, 2012.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.