Pen and brown ink and brush and brown wash, over black chalk, on cream laid paper
Inscribed recto, on mount, lower right, in graphite: FA 910405 / 13”; verso, upper right, in graphite: “127 / 910405 / 13”; lower left, in graphite: “6149 /Gio di San Giovanni / 15[?] g…05 / 13”; center, in graphite: “Echange Turin .85 / Ecole di Bologne / Jules Cesare Procaccini / 1548-1627 / 127”
36.8 × 25.7 cm (14 1/2 × 10 1/8 in.)
Gift of Anne Searle Bent
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Capturing the Sublime: Italian Drawings of the Renaissance and Baroque, edited by Suzanne Folds McCullagh with the assistance of Kate Tierney Powell (New Haven and London: The Art Institute of Chicago and Yale University Press, 2012), pp. 245 (color ill.) and 305, no. A14.
Unknown collector [stamp (Lugt 79), recto, lower left, in bluish black ink]. Sold, Étude Daussy-Ricqlès, Paris, Apr. 5, 1991, lot 20. Sold by David Jones Fine Art, London, to Anne Searle Bent, 2006; given to the Art Institute of Chicago, 2018.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.