André de Ridder, André Lhote, Nieuwe Kunst, no. 8 (Amsterdam: N.V. Van Munster’s Uitgevers-Maatschappj, n.d.), n.p. (ill.), as Portret in het Groen.
Georges Charensol, “Le Salon des Tuileries,” L’Amour de l’Art 6 (June 1926), p. 207 (ill.), as Portrait, n.d.
Art Institute of Chicago, Exhibition of Paintings from the Collection of Carter H. Harrison, exh. cat. (Chicago: Art Institute, 1929), n.p., cat. 11, as Portrait, n.d.
Lhote, André, “André Lhote,” Les Albums d’art Druet 32 (1931), pl. 15.
Julio E. Payró, André Lhote, Criticos e Historiadores de Arte (Buenos Aires: Editorial Poseidon, 1944), pp. opp. 32 (ill.), 193, pl. 5, as Retrato, 1927.
Frederick A. Sweet, “Carter H. Harrison as a Collector,” Bulletin of The Art Institute of Chicago 38, 5 (1944), p. 79.
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute, 1961), p. 260, as Portrait of a Lady, 1927.
A. James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago: University of Chicago Press, 1980), pp. 6, 52, no. 2E6.
Paris, Salon des Tuileries, Salon des Tuileries, 1926, cat. 1290, as Portrait, n.d.
Art Institute of Chicago, Exhibition of Paintings from the Collection of Carter H. Harrison, July 18–October 14, 1929, cat. 11, as Portrait, n.d.
Art Institute of Chicago, Henri Cartier-Bresson and the Art and Photography of Paris, September 20, 2008–January 4, 2009, no cat.
Mr. and Mrs. Carter H. Harrison, Chicago, by May 25, 1929; given to the Art Institute of Chicago, 1937.
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