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Untitled (Sarah Perkins Grosvenor Coit and George Coit)

A work made of daguerreotype.
CC0 Public Domain Designation

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  • A work made of daguerreotype.




S. L. Holman
American, 19th century

About this artwork

Daguerreotypes—brilliant photographs on metal plates—memorialized families with the first widely affordable images. The technology was especially popular in the 1840s and 1850s, an era of higher mortality rates. Daguerreotypists employed the slogan “Secure the shadow, ere the substance fade” to encourage sitters to visit the photographer’s studio before it was too late. This is one of a rare group of five images that tracks a single family over several years, including a period of mourning. Most of the images focus on the family’s patriarch, Charles Coit, including a photographic portrait, a painted portrait based on that photograph, a daguerreotype copy of that painting, and finally, a daguerreotype of the entire family posing with the painting—as a substitute for the father in a group portrait—made after his untimely death. These family photographs thus invite meditation on mortality and the function of representation. Can a painting stand in for a person? Can a photograph?

Here, we see Sarah Perkins Grosvenor, who married Charles Coit in 1834. She bore four children, three of whom survived: Ellen, Charles, and George. In this daguerreotype she poses with her youngest child, George, who was around four years old. The boy was apparently too young to stay still for the duration of the exposure, resulting in a slight blur.


Currently Off View


Photography and Media


Untitled (Sarah Perkins Grosvenor Coit and George Coit)


United States (Artist's nationality)

Date  Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Made 1849




10.2 × 8.2 cm (4 1/16 × 3 1/4 in.); Open case: 12 × 19 × 1 cm (4 3/4 × 7 1/2 × 7/16 in.); Case: 12 × 9.5 × 1.8 cm (4 3/4 × 3 3/4 × 3/4 in.); Plate: 10.8 × 8.3 cm (4 1/4 × 3 1/4 in.)

Credit Line

The W. Bruce and Delaney H. Lundberg Collection, purchased with funds provided by The Leonian Charitable Trust

Reference Number


IIIF Manifest  The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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Extended information about this artwork

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