Triptych of the Virgin and Child with Scenes from the Life of Christ

1310/30

Italian, probably Venice

Status: On View, Gallery 237
Department: Painting and Sculpture of Europe

Title: Triptych of the Virgin and Child with Scenes from the Life of Christ
Place: Veneto (Artist's nationality)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1310–1340
Medium: Tempera on panel
Inscriptions: HR (in the tooling to the left of the Virgin's head), C(rev)V(in the tooling to the right of the Virgin's head), --- and --- (to the left of the Child's halo) IC XR
Dimensions: 63.5 × 92.7 cm (25 × 36 1/2 in.)
Credit Line: Purchased with funds provided by Denison B. Hull
Reference Number: 1968.321
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/29446/manifest.json

August L. Mayer, “Die Sammlung F.H. in München,” Pantheon 5 (1930): 263, ill.
Edward B. Garrison. Italian Romanesque Panel Painting, Florence, 1949, no. 302, ill.
Dorothy C. Shorr. The Christ Child in Devotional Images in Italy during the XIV Century, New York, 1954, p. 48, ill.
Rodolfo Pallucchini. La Pittura Veneziana del Trecento, Venice, 1964, pp. 70-71, fig. 238.
Art Prices Current, vol. 43 (August - July 1967): p. A-182, #5139.
Apollo 83, no. 52 (1966): p. xx, ill,.
Burlington Magazine 58 (1966): p. xxxii, ill,
International Art Market 6, no. 7-8 (1966), p.,144,.
AIC Annual Report 1968-1969, pp. 14, 16, ill.
John Maxon. The Art Institute of Chicago, New York, 1970, pp. 250, 288.
Rudolf Heinemann. The Thyssen-Bornemisza Collection, Castagnola, 1969, p. 348, no. 321.
Miklós Boskovits with Serena Padovani. The Thyssen-Bornemisza Collection: Italian Painting, 1290-1470, London, 1990, p. 196, no. 4.
Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago. A Catalogue of the Collection, Chicago, 1993, pp. 282-85, ill.
Carl Brandon Strehlke, review of Christopher Lloyd, “Italian Paintings before 1600 in the Art Institute of Chicago. A Catalogue of the Collection” in Burlington Magazine, 136 (1994): 626-27, ill.
Mojmír S. Frinta, Punched Decoration on Late Medieval Panel and Miniature Painting, Part I, Catalogue Raisonné of all Punch Shapes (Prague, 1998), p. 130, Dab17a.
Larry J. Feinberg in Christina Nielsen, ed, “Devotion and Splendor. Medieval Art at the Art Institute of Chicago”, Museum Studies, 30, 2 (2004), pp. 62-62, ill., 94.

Chicago, AIC, The Art of the Edge: European Frames 1300-1900, October 17 - December 14, 1986, no. 1.

Julius Böhler, Munich; sold by Böhler to Franz Haniel in 1918 [according to letter of May 22, 2000 from Joachim Temme of Herbert M. Ritter, Kunsthandel, Munich, to Larry Feinberg in curatorial file.]; Franz Haniel, Munich (died 1965); hiers of Franz Haniel; offered for sale through his brother-in-law, Herbert M. Ritter, Munich, at Christie’s, London, July 1, 1966, no. 49 (ill.). [according to letter from Joachim Temme of Herbert M. Ritter, cited above]; bought in and offered for sale again at Christie’s, London, November 24, 1967, no. 72 (ill.); sold probably to Julius Weitzner, London. [implied by a letter of May 13, 1968, from Weitzner to John Maxon, in curatorial files.]; sold by Weitzner to the Art Institute, 1968.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

On View

Status

Department

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Inscriptions

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.

Explore Further

Suggested Terms

See all hours

Triptych of the Virgin and Child with Scenes from the Life of Christ

On View

Date:

Artist:

About this artwork

Status

Department

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Inscriptions

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Provenance

Share

Explore Further

Related artworks

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.