Pen and brown ink, with brush and brown and gray wash, over graphite, with touches of graphite over the washes, on cream laid paper
Inscribed verso, lower center, in pen and brown ink: "Bischop"; lower right, in graphite: "D.1130" (in an oval)
393 × 276 mm
Charles H. Worcester Sketch Fund
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Carlos van Hasselt, Dessins de Paysagistes Hollandais du XVIIe siecle .. a l’Institute Neerlandais, 1968, vol. I, under no. 26, p. 28.
Marcel Roethlisberger, Bartholomeus Breenbergh, Handzeichnungen (Berlin: Walter de Gruyter & Co., 1969), p. 39, under no. 104.
Art Institute of Chicago, The Broad Spectrum: Color on Paper, Past and Present, Sept. 12–Oct. 31, 1999, no cat.
The Art Institute of Chicago, “Rubens, Rembrandt, and Drawing in the Golden Age”, September 28, 2019 - January 5, 2020, pp. 30, 31, 241, 244-245 (ill.), 290, 291, 329 (ill,), cat. 90, cat. by Victoria Sancho Lobis, et. al.
Carl Robert Rudolf (1884–1974), London [stamp (Lugt 2811b), verso, lower right, in black]. Sold, Christie’s, London, Mar. 20, 1973, lot 49. Sold by Zeitlin and ver Brugge Booksellers, Los Angeles, to the Art Institute of Chicago, 1973.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.