Two Nudes, Standing

• “Drawings in Chicago,” The Art Digest 20:12 (March 15, 1946), p. 12.
• Alfred H. Barr, Jr., Picasso: Fifty Years of his Art (New York, 1946), p. 280.
• Jeran Cassou, and Philippe Jacottet, Le Dessin Français au XXe Siècle (Lausanne, 1951), pl. 83.
• Eduard Trier, Zeichner des XX Jahrhunderts (Berlin, 1956), no. 18 (ill).
• Francis Ponge and Jacques Chessex, Dessins de Pablo Picasso: Epoques Bleue et Roseo (Lausanne, 1960), no. 56 (ill.).
• Pierre Daix and Georges Boudaille, Picasso 1900-1906: Catalogue Raisonné de l’oeuvre Peint (Neuchâtel, 1966), p. 325, no. D.XVI.18 (ill.).
• Christian Zervos, Pablo Picasso XXII (Paris, 1970), p. 163, no. 465.
• Howard Greenfeld, Pablo Picasso: An Introduction (Chicago, 1971), p. 83 (ill.).
• Ronald Christ, “Picasso’s Hands: The Mutability of Human Form,” Artscanada, 236/237 (September–October, 1980), p. 24 (ill).
• Mary Matthews Gedo, “Art as Exorcism: Picasso’s ‘Demoiselles d’Avignon’,” Arts Magazine 55:2 (October 1980), p. 73–74, fig. 7.
• Marilyn McCully, et. al., Picasso: The Early Years 1892–1906, exh. cat. (Washington DC, 1996), p. 280, fig. 6.
• Eleanor Dwight, ed., The Letters of Pauline Palmer: A Great Lady of Chicago’s First Family (New York, 2005), p. 310 (ill.).
• Susan Greenberg, Burlington Magazine (March 2006) (ill.).

• New York, Galleries of the Société, “Exhibition of works lent by Arthur B. Davies,” December 15, 1920–February 1, 1921.
• New York, The Museum of Modern Art, “Modern Drawings,” 1944, p. 42 (ill.), cat. by Monroe Wheeler.
• The Art Institute of Chicago, “Drawings: Old and New,” 1946, p. 22, cat. 43, pl. XXIX, cat. by Carl Schniewind.
• Toronto, Canada, Art Gallery of Toronto, “Picasso,” April 1949, cat. 37.
• San Antonio, Tex., McNay Art Institute, “Picasso,” November 4–December 5, 1954, cat. 13.
• New York, The Museum of Modern Art, “Picasso: 75th Anniversary,” May 22–September 8, 1957, p. 37 (ill.), cat. by Alfred H. Barr, Jr.; traveled to The Art Institute of Chicago, October 29–December 8, 1957.
• Philadelphia Museum of Art, “Picasso,” January 8–February 23, 1958, cat. 31 (ill.).
• Los Angeles, Calif., University of California, Los Angeles Art, “Years of Ferment: The Birth of Twentieth Century Art 1886–1914,” 1965, p. 83, cat. 44.
• Tate Gallery, “Picasso: Sculpture/Ceramics/Graphic Work,” June 9–August 13, 1967, p. 121, cat. 236 (ill.).
• The Art Institute of Chicago, “Picasso in Chicago,” February 3–March 31, 1968, pp. 56, 63, and 116, cat. 70 (ill.).
• Chicago, R.S. Johnson-International Gallery, “Homage to Picasso,” Winter 1973, pp. 6 and 57, cat. 2 (ill.).
• New York, The Museum of Modern Art, “Picasso Retrospective,” May 22–September 16, 1980, p. 82 (ill.), cat. by William Rubin.
• Cambridge, Mass., Fogg Art Museum, Harvard University, “Master Drawings by Picasso,” February 20–April 5, 1981, pp. 74–75, cat. 22, (ill.), cat. by Gary Tinterow; traveled to The Art Institute of Chicago, April 29–June 14, 1981, and the Philadelphia Museum of Art, July 11–August 23, 1981.
• New York, Pace Gallery, “Je suis le cahier: The Sketchbooks of Pablo Picasso,” 1986, hors cat.; shown only at The Art Institute of Chicago, July 10–August 23, l987.
• Barcelona, Spain, Picasso Museum, “Pablo Picasso 1905-1906,” February 2–April 19, 1992, p. 384–385, cat. 208 (ill.); traveled to Bern, Kunstmuseum, May 8–July 26, 1992.
• Art Institute of Chicago, “Picasso and Chicago”, February 20-May 12, 2013, p. 43, cat. 28 (ill.), cat. by Stephanie d’Alessandro.

Probably sold by the artist to Arthur B. Davies (1862–1928), New York, 1912 [according to Cambridge 1981]; sold, American Art Galleries, New York, April 16–17, 1929, Davies sale, lot 86. Frank Crowninshield (1872–1947), New York. John Graham (1881–1941), New York [according to invoice]. Sold by Jacques Seligmann & Company and Curt Valentin, New York, to the Art Institute, 1944.