IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Bloomington, Ind., University of Indiana, “Rodin,” 1965.
Washington, D.C., The National Gallery of Art, “Rodin Drawings: True and False,” November 20, 1971-January 23, 1972, cat. 92; traveled to New York, the Solomon R. Guggenheim Museum, March 9-May 14, 1972.
Paris, Musée National de l’Art Moderne, May 31-September 1977.
Washington, D.C., The National Gallery of Art, “Rodin Rediscovered,” July 4-October 4, 1981; traveled to New York, the Solomon R. Guggenheim Museum October 15, 1981-January 2, 1982; The Fine Arts Museum of San Francisco, February 15-May 20, 1982; and Paris, the Musée Rodin, June-August, 1982.
Paris, Musée d’Orsay, “Alfred Stieglitz and His Circle: Modernity in New York, 1905–1930,” October 18, 2004-January 16, 2005, p. 85, cat. 33 (ill.).
The Art Institute of Chicago, “Rodin: Sculptor and Storyteller”, November 3, 2017 - March 4, 2018.
Edward Steichen (1879-1973). Alfred Stieglitz (1864–1946), New York, around 1908 or 1910 [according to McCauley 2001]; Stieglitz Estate (Georgia O’Keefe (1887–1986), executor); given to the Art Institute, 1949.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.