About this artwork
This illusionistic, hand-colored German etching presents several of the most popular and ephemeral printmaking products—genre pictures, maps, playing cards, religious texts, and wall calendars—tacked to a wall with paste or daubs of wax. Prints mounted in this manner were used for decorating, devotion, entertainment, or study, and the practice is depicted in fifteenth- and sixteenth-century paintings of the interiors of taverns and private homes. Renaissance viewers even used them on ceilings, furniture, or more portable supports such as boards, boxes, and fabric. This late-eighteenth-century work suggests that the practice continued long after.
-
Status
- Currently Off View
-
Department
- Prints and Drawings
-
Artist
- Christian Gottlob Winterschmidt
-
Title
- Quodlibet with Goldfinch
-
Place
- Germany (Artist's nationality)
-
Date
- Artist's working dates 1775–1809
-
Medium
- Etching in black hand-colored with brush and watercolor on ivory laid paper
-
Dimensions
- Image/sheet, cut within platemark: 26.1 × 20.6 cm (10 5/16 × 8 1/8 in.)
-
Credit Line
- Anonymous gift
-
Reference Number
- 1950.1373
-
IIIF Manifest
- https://api.artic.edu/api/v1/artworks/72388/manifest.json
Extended information about this artwork
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.