St. Gerardo Sagredo, Bishop of Csanád

CC0 Public Domain Designation

Painting and Sculpture of Europe

1633

Bernardo Strozzi
Italian, 1581-1664

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Bernardo Strozzi
Title: St. Gerardo Sagredo, Bishop of Csanád
Place: Italy (Object made in)
Date: 1625–1635
Medium: Oil on canvas
Dimensions: 51 1/4 × 39 3/8 in. (130.3 × 100 cm)
Credit Line: Alexander A. McKay Fund
Reference Number: 1958.328
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/8104/manifest.json

Art Institute of Chicago, Annual Report (Chicago, 1959), p. 10.
Art Institute of Chicago Quarterly (April 1959) p. 35, ill. p. 36.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961) pp. 441-442, ill. p. 50.
Hans Huth, “Italianische Kunstwerke im Art Institute von Chicago, USA,” Miscellanea Bibliothecae Hertzianae (1961), p. 518.
Anna Maria Matteucci, “Per Bernardo Strozzi,” Arte Antica e Moderna 19 (1962), p. 293, ill. no. 100a.
Louisa Mortari, Bernardo Strozzi (Rome, 1966), pp. 48, 98, 148, fig. 236.
Rodolfo Pallucchini, “L’Art Institute di Chicago,” L’Illustrazione del Medico (February 1966) pp. 11-12.
Anna Maria Matteucci, I Maestri del Colore: Bernardo Strozzi (Milan, 1966), pp. 10, fig. 2, ill. X.
Carlo Donzelli and Giuseppe Maria Pilo, I Pittori del Seicento Veneto (Florence, 1967), p. 384.
Michael Milkovich, Bernardo Strozzi: Paintings and Drawings, Catalogue for exhibition at University Art Gallery, State University of New York at Binghamton, 8 October - 5 November 1967, ill. p. 96.
John Maxon, The Art Institute of Chicago (London and New York, 1970), p. 286, ill. p. 258.
Franco Sborgi, “Il ritratto a Genova nel Seicento e nel Settecento,” in La Pittura a Genova e in Liguria, vol. 2, (1971), p. 316.
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass., 1972), pp. 193, 457, 571.
John Maxon, The Art Institute of Chicago (London and New York, 1977), p. 287, ill. p. 258.
Homan Potterton, Venetian Seventeenth Century Painting, catalogue for exhibition at the National Gallery, London, 5 September - 30 November 1979, p. 32.
Cristiana Mazza, “La committenza artistica del futuro doge Nicoló Sagredo e l’inventario di Agostino Lama,” Arte veneta 51 (1997), pp. 90.

Manchester, Art Treasures Exhibition, 1857, no. 364, as Giovanni Lanfranco, A Bishop.

Possibly commissioned by Niccolò Sagredo (d. 1685), 1633; possibly Sagredo collection until at least 1685 [for dating of inventory, see Mazza p. 89]. Thomas Egerton, 2nd Earl of Wilton, England, by 1857 [lent to 1857 Manchester exhibition]. Mrs. H. Danninger, England. Antonio Morassi, by 1957; sold to Wildenstein, July 1957, New York; sold to Art Institute, 1958.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

Currently Off View

Status

Department

Artist

Title

Place

Date

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.

Explore Further

Suggested Terms

See all hours

Currently Off View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Place

Date

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Provenance

Share

Explore Further

Related artworks

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.