Pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper
365 × 234 mm (primary support); 382 × 242 mm (secondary support)
The Leonora Hall Gurley Memorial Collection
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
The Art Institute of Chicago, “Rubens, Rembrandt, and Drawing in the Golden Age”, September 28, 2019 - January 5, 2020, pp. 138, 143 (ill.), 306, cat. 44, cat. by Victoria Sancho Lobis, et. al.
Sir Joshua Reynolds (1723–1792), London [stamp (Lugt 2364), recto of mount, lower center, in black]. Arthur Melville Champernowne (1871–1946), Dartington Hall, Totnes, Devon [inscription (Lugt 153), recto of mount, lower right, in black]. William F. E. Gurley (1870–1938) [stamp (Lugt 5308), recto, lower center, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230B), verso of mount, in black].
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.