Two Penguins

• Gallery Guggenheim Jeune, Contemporary Sculpture: Brancusi, Laurens, Pevsner, Henry Moore, Duchamp-Villon, Hans Arp, Calder, Taeuber-Arp exh. cat. (London: Gallery Guggenheim Jeune, 1938), n.p. (cat. 8), as Les Pingouins.
• Paleolog, V. G., C. Brancusi: atteindre un nouveau plan de las realite (Standerd Graphica, 1947), p. 49.
• Musée national d’art moderne, Le Cubisme 1907–1914 exh. cat. (Paris, 1953), p. 55 (cat. 158), n.p. (ill., pl. XL), as Deux pingouins, 1914.
• Solomon R. Guggenheim Museum, Constantin Brancusi exh. cat. (New York: Solomon R. Guggenheim Museum, 1956), n.p, as Two Penguins, 1914.
• Roché, H. P., “Souvenirs sur Brancusi,” L’Oeil, n. 29 (May 1957), p.16, as Les Deux Pingouins.
• Kuh, Katherine, Signposts of Twentieth Century Art exh. cat. (Dallas: Dallas Museum for Contemporary Arts, 1959), pp. 22 (ill.), 23, as Two Penguins, 1914.
• Giedion-Welcker, Carola, Constantin Brancusi, trans. by Maria Jolas and Anne Leroy (New York: George Braziller, Inc., 1959), p. 15, as Penguins, 1914.
• “Coming Auctions,”Art News 59, n. 6 (October 1960), pp. 20 (ill.), 57, as Two Penguins.
• Parke-Bernet Galleries, New York, Paintings and Drawings from the Gladys Lloyd Robinson Collection sale cat. (October 26, 1960), lot 43, pp. 24, 25 (ill.), as Two Penguins, 1914.
• Staempfli Gallery, Constantin Brancusi 1876–1957: Sculpture, Drawings, Gouaches (New York: Staempfli Gallery, 1960), pp. 3–4 (cat. 4, ill.), as Deux Pingouins, 1914.
• Speyer, A. James, “New Forms in the Collection,” Art Institute of Chicago Quarterly 56, 2 (June 1962), p. 34 (ill.), as Two Penguins, 1914.
• Jianou, Ionel, Brancusi (New York: Tudor Publishing Co., 1963), pp. 47, 99, 156 (ill., fig. 36), 157, as Two Pingoins, 1914.
• Geist, Sidney, “Letters to the Editor,” The Art Bulletin, 48, nos. 3/4 (September–December 1966), p. 463, as Two Penguins.
• Geist, Sidney, Brancusi: A Study of the Sculpture (New York: Grossman Publishers, 1968), pp. 46 (ill., fig. 81), 221 (cat. 81), as Two Penguins, 1914.
• Geist, Sidney, Constantin Brancusi 1876–1957: A Retrospective Exhibition exh. cat. (New York: Solomon R. Guggenheim Museum, 1969), p. 68 (ill.), as Two Penguins, 1914.
• Geist, Sidney, Brancusi: The Sculpture and Drawings (New York: Harry N. Abrams, 1975), pp. 74 (ill.), 180 (cat. 95), 195, as Penguins II, after 1914 and Penguins, after 1914.
• Brancusi, Constantin, Omagiu lui Brancusi (Sibiu: Rivista Tribuna, 1976), n.p., as Doi Pinguini, 1914.
• Paleolog, V. G., Brancusi–Brancusi vol. 1 (Craiova: Scrisul Romanesc, 1976), n.p. (cat. 199), as Doi Pinguini, 1914?.
• Geist, Sidney, Brancusi: A Study of the Sculpture (New York: Hacker Art Books, 1983), pp. 46 (ill., fig. 81), 221 (cat. 81), 261 (cat. 95), as Two Penguins, 1914 and Penguins II, after 1914.
• Jianu, Ionel, Constantin Brancusi: Vita si opera (Bucharest: Editura stiintifica si enciclopedica, 1983), n.p. (ill., fig. 35), as Doi pinguini, 1914.
• Grigorescu, Dan, Brancusi and the Romanian Roots of His Art (Bucharest: Meridiane Publishing House, 1984), p. 110 (ill.), as Two Penguins, after 1914.
• Hulten, Pontus, Natalia Dumitresco, and Alexandre Istrati, Brancusi (Paris: Flammarion, 1986), p. 288 (cat. 79, ill.), as Deux pingouins, 1914.
• Varia, Radu, Brancusi (New York: Rizzoli, 1986), p. 205 (ill.), as Two Penguins, 1914.
• Bach, Friedrich Teja, Constantin Brancusi: Metamorphosen Plasticher Form (Cologne: DuMont Buchverlag, 1987), p. 441 (cat. 118, ill.), as Zwei Pinquine (Les deux Pingouins), 1911–14?.
• Mocioi, Ion, Estetica Operei Lui Constantin Brancusi (Craiova: Scrisul Romanesc, 1987), p. 61 (ill.), fig. 26 (S. 180), as Doi pinguini, 1914(-?).
• Shanes, Eric, Modern Masters Series: Constantin Brancusi (New York: Abbeville Press, 1989), pp. 122 (ill., fig. 124), 123, as Two Penguins, 1914.
• Andreotti, Margherita, “Brancusi’s Golden Bird: A New Species of Modern Sculpture,” Museum Studies 19, 2 (1993), pp. 138, 198 (n. 1), as Two Penguins, 1914.
• Rowell, Margit, and Ann Temkin, Constantin Brancusi exh. cat. (Paris: Musée National d’Art Moderne, 1995), pp. 114, 115 (cat. 23, ill.), as Deux pingouins, 1911–1914?.
• Faerna, Jose Maria, ed., Brancusi (New York: Harry N. Abrams, 1997), p. 47, as Two Penguins, 1914.

• London, Gallery Guggenheim Jeune, Contemporary Sculpture: Brancusi, Laurens, Pevsner, Henry Moore, Duchamp-Villon, Hans Arp, Calder, Taeuber-Arp, Summer 1938, n.p., cat. 8, as Les Pingouins.
• Paris, Musée national d’art moderne, Le Cubisme 1907–1914, January 30–April 9, 1953, p. 55 (cat. 158), n.p. (ill., pl. XL), as Deux pingouins, 1914.
• New York, Solomon R. Guggenheim Museum, Constantin Brancusi, October 26, 1955–January 8, 1956, n.p., as Two Penguins, 1914; traveled to Philadelphia Museum of Art, January 27–February 26, 1956.
• Dallas, Museum for Contemporary Arts, Signposts of Twentieth Century Art, October 28–December 7, 1959, pp. 22 (ill.), 23, as Two Penguins, 1914.
• New York, Staempfli Gallery, Constantin Brancusi 1876–1957: Sculpture, Drawings, Gouaches, November 29–December 31, 1960, pp. 3 (cat. 4), 4 (ill.), as Deux Pingouins, 1914.
• Solomon R. Guggenheim Museum (organizer), Constantin Brancusi 1876–1957: A Retrospective Exhibition, p. 68 (ill.), as Two Penguins, 1914; traveled to Philadelphia Museum of Art, September 23–November 15, 1969; New York, Solomon R. Guggenheim Museum, November 21, 1969–February 15, 1970; Art Institute of Chicago, March 14–April 26, 1970.
• Paris, Musée National d’Art Moderne, Centre Georges Pompidou, Constantin Brancusi, April 14-August 21, 1995, pp. 114, 115 (cat. 23, ill.), as Deux pingouins, 1911–1914?; traveled to Philadelphia Museum of Art, October 8–December 31, 1995.
• Fort Worth, Kimbell Art Museum, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, Oct. 6, 2013–Feb. 16, 2014, no cat. no. 

Charles Vignier (died 1934), Paris, 1919 [Paris 1995]. Henri Pierre Roché (died 1959), Paris and Sèvres, by 1953 [Paris 1953; Bach 1987]. Sold through Marcel Duchamp to Gladys L. Robinson, 1959 [Paris 1995]; sold Parke-Bernet, New York, Oct. 26, 1960, lot 43 [1960 sale cat.]. Ileana Bulova, New York, by Nov. 29, 1960 [New York 1960]. Otto Gerson, New York, by Nov. 1961; sold to the Art Institute of Chicago, 1961.