Tiger Resting

Painting and Sculpture of Europe

c. 1830

Pierre Andrieu
French, 1821-1892

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Pierre Andrieu
Title: Tiger Resting
Place: France (Artist's nationality)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1825–1835
Medium: Oil on canvas
Dimensions: 20.3 × 38.1 cm (8 × 15 in.)
Credit Line: Henry Field Memorial Collection
Reference Number: 1894.1049
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/884/manifest.json

“Art Notes,” New York Times (June 10, 1893), p. 4.
“Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247.
“Art Gems in Chicago,” Chicago Daily Tribune (March 4, 1894), p. 27.
“The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115.
“The Art Institute, Chicago,” Art Amateur 32, 1 (1894), p. 19.
Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute of Chicago. IV. The Henry Field Memorial Collection,” Brush and Pencil 2, 1 (1898), pp. 1 (ill.), 7.
“Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 17.
Frederick Clifton Pierce, Field Genealogy (Chicago: Hammond Press, 1901), p. 712.
Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 158, no. 117.
Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), p. 712, no. 17.
Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 164, no. 117.
Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 176, no. 117.
Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 169, no. 117.
Art Institute of Chicago, General Catalogue of Paintings Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 113, no. 117.
Art Institute of Chicago, General Catalogue of Paintings Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 117, no. 117.
Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 117, no. 117.
Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings and Drawings, pt. 2 (Chicago: Art Institute of Chicago, 1920), p. 23, no. 117.
Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago), p. 23, no. 117.
Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, pt. 2 (Chicago: Art Institute of Chicago, 1923), p. 23, no. 117.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 134, no. 117.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 150.
William Howe Downes, “Delacroix,” Art and Archeology 30, 5 (1930), p. 157 (ill.).
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 122.
Alfred Werner, “Eug. Delacroix,” Art Voices from Around the World 2, 7 (1963), p. 9 (ill.).
Walter L. Creese, The Search for Environment: The Garden City: Before and After (New Haven and London: Yale University Press, 1966), p. 10 (ill.); revised edition (Baltimore and London: The Johns Hopkins University Press, 1922).
Luigina Rossi Bortolatto and Pierre Georgel, Tout l’oeuvre peint de Delacroix (Paris: Flammarion, 1975), pp. 136, no. 905 (ill).
John D. Morse, Old Master Paintings in North America (New York: Abbeville Press, 1979), p. 100.
Yves Sjöberg, Delacroix (1798–1863): Chevaux et Félins, aquarelles, dessins, peintures (Paris: Bibliothèque de l’Image, 2011), pp. 14–15 (ill).

Art Institute of Chicago, Loan Exhibition of Paintings, Water Colors, Drawings and Prints by Eugène Delacroix 1798–1863, March 20–April 20, 1930, cat. 33.

Henry Field (died 1890), Chicago; his widow Mrs. Florence Lathrop Field; given to the Art Institute, 1894.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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