The Shepherd

• W. Michel, “Maler Eugène Zak – Paris,” Deutsche Kunst und Dekoration, vol. 30, Aug.-Sep. 1912, pp. 369-376 (ill.).
• International Exhibition of Modern Art, exh. cat. (New York: Association of American Painters and Sculptors, Inc., 1913), cat. 233, as Le Berger.
• International Exhibition of Modern Art, 2nd ed., exh. cat. (New York: Association of American Painters and Sculptors, Inc., 1913), cat. 452.
• Arthur Jerome Eddy, Cubists and Post-Impressionists (Chicago: A. C. McClurg, 1914), p. 200-201 (color plate opposite p. 8).
• The Art Institute of Chicago, Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, exh. cat. (Chicago: The Art Institute of Chicago, 1922), cat. 67 (ill.).
• H. Martinie, “Eugène Zak” Cicerone, vol. 17, no. 13, July 1925, p. 649.
• The Art Institute of Chicago, Exhibition of the Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, exh. cat. (Chicago: The Art Institute of Chicago, 1931), cat. 20.
• C. J. Bulliet, “The Eddy Gift to Chicago,” Creative Art, Vol. 10, March 1932, p. 216.
• The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: The Art Institute of Chicago, 1932), pp. 77, 177 (ill.).
• An Exhibition of Literature and Poetry in Painting since 1850, (Hartford: Wadsworth Atheneum, 1933), cat. 76 (ill.).
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, (Chicago: Lakeside Press, R. R. Donnelley & Sons Company, 1933), p. 81, cat. 743.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, (Chicago: Lakeside Press, R. R. Donnelley & Sons Company, 1934), p. 53, cat. 366B.
• Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection, (Chicago: Art Institute, 1961), p. 486.
• Munson-Williams-Proctor Institute, 1913 Armory Show—50th Anniversary Exhibition 1963, exh. cat. (New York: Munson-Williams-Proctor Institute, 1963), p. 208, no. 223.
• Milton W. Brown, The Story of the Armory Show (Greenwich, Conn.: New York Graphic Society, 1963), pp. 100, 301, no. 233, as Le Berger.
• Artur Tanikowski, Eugeniusz Zak (Sejny, Poland: Pogranicze, 2003), pp. 11, 53, 115, (ill.).

• New York, International Exhibition of Modern Art, February 17–March 15, 1913, cat. 233, as Le Berger; traveled to The Art Institute of Chicago, March 24–April 16, 1913 (cat. 452).
• The Art Institute of Chicago, Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, September 19–October 22, 1922, cat. 67 (ill.).
• The Art Institute of Chicago, Exhibition of the Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, December 22, 1931-January17, 1932, cat. 20 (ill.).
• Hartford, Wadsworth Athenaeum, An Exhibition of Literature and Poetry in Painting since 1850, January-February 1933, cat. 76 (ill.).
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1-November 1, 1933, p. 81, cat. 743.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1-November 1, 1934, p. 53, cat. 366B.
• Utica, Munson-Williams-Proctor Institute, 1913 Armory Show—50th Anniversary Exhibition 1963, February 17–March 31, 1963, p. 208, no. 223; traveled to New York, Armory of the Sixty-ninth Regiment, April 6–28, 1963.
• Warsaw, National Museum of Warsaw, Eugeniusz Zak (1884-1926), December 18, 2003-February 28, 2004, p. 115 (ill.).

Arthur Jerome Eddy (1859-1920), Chicago, 1913 [purchased at the International Exhibition of Modern Art (The Armory Show), New York, February 27, 1913; Milton Brown, The Story of the Armory Show, 1963, p. 301]; by descent to his wife Lucy O. Eddy (1863-1931) and son Jerome O. Eddy (1891-1951), Chicago, 1920; given to the Art Institute of Chicago, 1931.