Red chalk with brush and brown wash, on buff laid paper, squared in black chalk, laid down on ivory laid card
Inscribed recto, lower center on mount, in pen and brown ink (in J. Richardson, Sr.s' hand); "Rafaelle. cosi stano notato."; lower center on mount, in pen and red ink: "Valerio Vicentino."; inscribed verso, upper center on mount, in pen and brown ink (in J. Richardson, Sr.s' hand: "T.46/C.54./La.39./k.and B/No. 11"; lower left, in pen and brown ink: "14 H."
177 × 97 mm
The Leonora Hall Gurley Memorial Collection
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), p. 31, no. 30 (ill.).
Peter Lely [stamp (Lugt 2092), recto, lower right, in black]. John Richardson, Sr. [stamp (Lugt 2183), recto, lower right, in black and script (Lugt 2984), verso, upper center on mount, in pen and brown ink]. Earl Spencer [stamp (Lugt 1530), verso, lower right, in black]. John Tetlow [stamp (Lugt 2868), recto, lower right, in black]. William F. E. Gurley (1854–1943), Chicago [stamps (Lugt 5308), recto, lower left and verso, center on mount, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black]
McCullagh & Giles 30
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.