Constantine Petridis

Constantine Petridis, chair and curator of Arts of Africa, joined the Art Institute in 2016. He recently co-curated the 2020 exhibition Malangatana: Mozambique Modern with Hendrik Folkerts and Felicia Mings, and in 2019 he oversaw the refresh of the museum’s permanent gallery of Arts of Africa. He also serves as a research associate at the Field Museum and is a corresponding member of the Belgian Royal Academy for Overseas Sciences.
Before coming to Chicago, he held research, curatorial, and teaching positions at the Research Foundation - Flanders, the Metropolitan Museum of Art, the Cleveland Museum of Art, Case Western Reserve University, the Art Gallery of Ontario, and the Indianapolis Museum of Art. An accomplished author, his most recent publications include the monograph Luluwa: Central African Art Between Heaven and Earth (2018) and the edited volume Speaking of Objects: African Art at the Art Institute of Chicago (2020). He holds a PhD in art history and a master’s in art history and archaeology from Ghent University in his native Belgium.
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A Headdress for Dance
Take a close look at this West African dance headdress, which represents the universal mother as an ideal of the female role in society, and consider how its appearance encompasses choreography, music, and song.
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Charged by Power
The primary task of the nail-studded nkisi was to hunt down evil and wrongdoers.
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Sacred and Secular
Learn how the master Kpeenbele potters—all women—make their striking works and consider how their forms and refined decorations evoke a function beyond the utilitarian.
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A Wooden Pillow
Discover the functions and meanings behind one of the most striking art forms of the Zulu and other Nguni-speaking peoples in southeast Africa—wooden neckrests.
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Portrait of a King
Find out how this abstractly carved figure commemorating Metang, the 10th king of Batufam, conveys the ideals of kingship.
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A Kono Power Association Helmet Mask
With respectful consideration of materials, techniques used in making, history, cultural value, and aesthetic significance, Brittany Dolph Dinneen and Susan Elizabeth Gagliardi from Emory University discuss this Kono helmet mask from the collection.
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Malangatana’s The Fountain of Blood
Curator Constantine Petridis explores this iconic example of Malangatana’s signature style, one of his first works exhibited outside of Mozambique.
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Three Curators, Three Favorites
You’ll want to keep an eye out for these paintings when you visit Malangatana: Mozambique Modern.
Hendrik Folkerts, Felicia Mings, and Constantine Petridis