Warhol Lecture Series: Neil Printz—Nothing in Between: Warhol’s Drawing Practice in the Early 1960s and 1970s

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Andy Warhol. Feet with Sea Shells, 1960. Ballpoint pen on paper, 17 x 13 7/8 inches. The Art Institute of Chicago, Muriel Newman Fund. © 2019 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York.

Andy Warhol. Feet with Sea Shells, 1960


Ballpoint pen on paper, 17 x 13 7/8 inches. The Art Institute of Chicago, Muriel Newman Fund. © 2019 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York.

After a decade in which he made virtually no drawings, Warhol suddenly began to draw again in late 1972. This extraordinary break in Warhol’s studio practice immediately confronts us with two questions: why did Warhol stop drawing in 1962, and why did he start again ten years later? Editor of The Andy Warhol Catalogue Raisonné Neil Printz will touch on both, with particular emphasis on the latter, Warhol’s return to drawing in the 1970s.

Presented in association with the exhibition Andy Warhol—From A to B and Back Again, this lecture series will highlight various aspects of Warhol’s production across the entirety of his career.

Presented by the Society for Contemporary Art

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